(AP file photo via Yonhap) Big tech has begun its encroachment on the South Korean webcomics market, largely dominated by local players over the past two decades, fanning fears that they will soon fully invade the market after tightening their grip in the country’s social media realm.
According to the state-controlled Korea Creative Content Agency’s 2024 white paper on the comics industry released on Wednesday, Korean users reading webcomics on Instagram have reached 20.9%, up 7.3 percentage points from 2023 and three times higher than in 2021.
This year, Instagram ranked as Korea’s fourth most-used digital comics platform, elbowing out Kakao Webtoon to fifth with 20.8% of the respondents saying they used it.
Each respondent of the report’s survey was asked to submit their top three favorite digital comic platforms, which were used to tally the results.
The Korean webcomics market is still largely commanded by major Korean players – Naver Webtoon Ltd. with 87.1%, KakaoPage with 37.6% and Series by Naver Webtoon with 27.6%.
Most of the top players saw their usage rate up from a year ago, but Kakao Webtoon lost 7.6 percentage points over the same period.
Kakao Entertainment's booth at the 2024 World Webtoon Festival in Seoul, September 2024 (Courtesy of Yonhap) Kakao Webtoon, first serviced in 2003, used to be one of Korea’s leading webcomics platforms with many star creators.
'INSTAFOBIA'
The Korean content industry, however, has predicted Instagram’s fast inroads into the country’s digital comic market, citing the platform’s lower barriers to access for both creators and users thanks to its social media format and simple user interface.
Instagram’s digital comic platform Insta Toon has more than 2.3 million webcomics uploaded as of Wednesday. They are mostly stories about mundane daily life.
Instagram launched a content support program in December last year to help webcomics creators earn revenue by publishing their stories on Instagram.
Local governments also joined the move, hosting Insta Toon contests to promote local creators.
Insta Toon comics contest hosted by Gangnam District office Against Instagram's raid, Korea’s homegrown mid and small-size webcomic platforms have quickly lost ground to Instagram over the past year.
Lezhin Comics, once the country’s No. 3 digital comics platform after Naver and Kakao, saw its readership shrink from 15.6% in 2022 to 13.1% in 2023 and 9.5% this year.
Instagram’s fast rise in the Korean digital comics market resembles how YouTube has rapidly conquered the Korean social media market in the past few years.
Korean webcomics promotional booth at New York Comic Com 2024 (Courtesy of Yonhap) Korea’s portal giant Naver Corp. lost to Instagram to rank fourth after its users’ total spent time shrank 9.7% over the same period, while No. 2 KakaoTalk, Korea’s dominant messenger app used by more than 90% of the South Korean population, also saw a 3.3% decline.
Google is also seeking to take advantage of the vibrant Korean webcomics market.
This deal was a part of the partnership agreement between the digital distribution service of Google and the KWIA signed last year to support the global expansion of Korean webcomics.
Under the deal, the KWIA will supply digital comics in the US and India through Dashtoon, while the platform will introduce Dashtoon Studio, its generative artificial intelligence tool for webtoon production, to Korean creators.
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